像是一个流亡希腊人的班底制作，反映国内军事政变，音乐来自提奥多拉基斯，印象却不深.
有理想化色彩，特别是看到后来一个文弱检察官让一帮警界大佬走投无路的桥段，不过，这就是宪法才能赋予的力量. 结局是先扬后抑，流露出家国沦陷的愤懑. 亮点是对群氓和黑手们的喜剧化处理. 总体有冲击力，很直露. Oh how I love David Cronenberg's style... So disconcerting & puzzling. He manages to find these interstices of strange reality, in which he further inserts fantasmagoric elements, without ever obliterating the principle of coherence or tearing apart the suspension of disbelief that has been firmly established. Every scene is calculated with preciseness, every little thing connects, foreshadows, explains, or deepens the plot. Enthralling atmosphere & foreboding music all along, up to the explosive finale and chilling last scene.
在首尔，有两段交替的对话：一个女演员被一个业余爱好者拉拢；一个老诗人接待了一个粉丝. 两位名人用食物、酒精、吉他演奏和午睡、逗猫和石头剪刀布来躲避他们客人提出的存在主义困境. 这位女演员正在考虑放弃她的事业；这位诗人正在与酒精和烟草的戒断反应作斗争.
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